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In three dozen poems and a two-act play, MacArthur Fellow Billie Jean Young honors the tradition of struggle, resistance, and survival common to generations of women descended from African slaves. The tradition she dramatizes in her acclaimed portrayal of Fannie Lou Hamer (here for the first time in book form)-the tradition of making a way out of no way-is the same tradition she celebrates in remembering her mother's "rub-board hands." Her poetry also reveals the deeply painful, often hidden...

Duncan Black: Feata (Dog); able to hang on walls 

This masquerade mask features a hand-cut piece of metal that is a cerulean blue with hints of earthy brown color. This steam punk reminiscent mask displays a multitude of duck and peacock feathers that effortlessly complements the piece. The industrial look of this mask is enhanced by the metal fan, several gears, a fuse switch and chain drapery.

Serena Allen: Fingerless Gloves; Wool Blend

Stephen R. James: Fishing Below the Dam; (framed - oil on canvas); 25"x21"; signed by the artist 

Mike Handley: Flannery O'Connor; approx. 14"x18"

Church shaped reclaimed whitewashed barn wood from Alabama's Black Belt. This wall hanging features a cross on the front made from cut strips of tin and has a saw tooth wall hanger on the back. It measures approximately 6 x 7.

Lolita Dickinson: Flat Server Dish - Black

Linda Englert: Floral Bookmark Suncatcher

Sharon Dozier: Floral Fancy; acrylic on canvas; 48"x48"

Karen Hamm: Floral Interactive Journal

Cindy Stoudenmire: Flower 1; approx, 12x12x1.5